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Feminist Media Studies
By Flora Galy-Badenas Priya Kurian Rachel Simon-Kumar a School of Population Health, University of Auckland, Auckland, New Zealandb Politics and International Relations, School of Law, Politics, and Philosophy, University of Waikato, Hamilton, New ZealandFlora Galy-Badenas is an independent researcher who served as a post-doctoral fellow with the School of Population Health, University of Auckland, Auckland, New Zealand. Her research interests include intersectionality, gendered/racialized mediation, politics/politicians, (Feminist) Critical Discourse Analysis, media studies, cross-cultural/intercultural studies, and communication.Priya Kurian is Professor of Political Science and Public Policy. Her research is interdisciplinary and spans the areas of gender and race/ethnicity; media and communication; environmental politics; and critical public policy. She is the author, co-author or co-editor of seven books, including Public Relations and Sustainable Citizenship: Representing the Unrepresented (2021) and Feminist Futures: Re-imagining Women, Culture, and Development (2016).Rachel Simon-Kumar is Professor, School of Population Health, The University of Auckland/Waipapa Taumata Rau. Her research interests include feminist politics and policymaking, intersectionality, ethnicity, migration, and multiculturalism.
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Feminist Media Studies
By Huiming Liu School of Literatures, Languages and Cultures, University of Edinburgh, Edinburgh, UKHuiming Liu has just completed their PhD in English Literature at the University of Edinburgh. Their dissertation, “T.S. Eliot and Otherness: Affects, History, and Embodiment”, examines literary otherness through diverse lenses. Liu has contributed to journals like Literature Compass (in progression) and The T.S. Eliot Studies Annual, focusing on race, gender, and the digital humanities. Liu’s interdisciplinary approach spans English literature, media studies, and child and animal studies. Fluent in multiple languages, Liu contributes to the fields of modernist studies and sensory aesthetics through publications in esteemed journals and active conference participation. Huiming is an emerging scholar in English Literature with a Ph.D. from the University of Edinburgh, specializing in the intricate intersections of financial colonialism and commodity frontiers within modern and contemporary literatures.
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Feminist Media Studies
By Apala Kundu Department of English, University of Pittsburgh, Pittsburgh, USAApala Kundu is a Humanities Engage Immersive Research Dissertation Fellow, pursuing her PhD in Literary and Cultural Studies at the Department of English, University of Pittsburgh. She is also pursuing a Master’s certificate in Gender, Sexuality, and Women’s Studies in the GSWS program at Pitt. Currently she is working on her dissertation titled “T-read-ing Waters: Navigating Postcolonial Mobilities in Indian Ocean novels.” Her research interests include postcolonialism, migration/diaspora and mobility studies, Indian Ocean literature, gender and sexuality studies, graphic narratives, and pedagogy. She can be contacted at apk61@pitt.edu.
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Feminist Media Studies
By Ilaria W. Biano Cultural and Religious Studies Independent Scholar, ItalyIlaria W. Biano PhD, is a Cultural and Religious Studies scholar and historian. She held a PhD in Political Studies, History, and Theory from the Università degli Studi di Torino (Italy). Since 2015 she has been a fellow in high profile Italian research institutes such as Fondazione Einaudi (Torino) and Italian Institute for Historical Studies “Benedetto Croce” (Napoli). Since 2020 she has been a member of the Group for the Study of the Fantastic at the “History of Religions’ Museum “Raffaele Pettazzoni” (Velletri) and Editor of the Fantastic Religions Series (Quasar, Roma). She has extensively published as well as presented at several international conferences on issues related to non/religious representations in pop-cultural texts; posthumanities and philosophical posthumanism in cultural and pop-cultural fields; trauma and memory in literature and culture.
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Feminist Media Studies
By Nikoo Karimi The Ohio State UniversityNikoo Karimi is a graduate student in Comparative Studies at Ohio State University. Her research focuses on literary criticism and science and technology studies.
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Feminist Media Studies
By Sara Rebollo-Bueno Sofía Otero-Escudero a Department of Communication and Education, Loyola Andalusian University, Seville, Spainb Department of Audiovisual Communication and Advertising, University of Seville, Seville, SpainSara Rebollo-Bueno serves as a faculty member at Loyola Andalusian University’s Department of Communication and Education. Holding a PhD in Communication from the University of Seville, she graduated cum laude and was awarded an international mention, facilitated by her research stays at Maynooth University in Dublin, Ireland, and Universidade Nova de Lisboa in Lisbon, Portugal. These experiences underpinned her pre-doctoral FPU contract awarded by the Spanish Government. Additionally, she holds degrees in Advertising and Public Relations and a Master’s in Institutional and Political Communication—receiving the Extraordinary Prize. She also earned a Master’s degree in Applied Statistics from the UNED. Currently, she focuses her research on propaganda and political communication, as well as the intersections of ideology and gender in popular culture, which she has extensively published on. She is an active member of the research group on Political Communication, Ideology, and Propaganda (IDECO) and serves as the editorial secretary of SERIES - International Journal of TV Serial Narratives.Sofía Otero-Escudero | sotero@us.es FPU pre-doctoral fellow in the Department of Audiovisual Communication and Advertising, Faculty of Communication, University of Seville. Member of the AdMIRA research group. PhD student in the Interuniversity Doctorate in Communication in the Audiovisual Communication Research Line (University of Seville). Graduate in Journalism and Audiovisual Communication from the University of Seville. Master in Gender Studies at the University of Tampere, Finland. My main lines of research: LGBTIQ+ studies, gender studies and trans studies, in line with cinema, particularly European cinema, Spanish cinema and TV series.
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Feminist Media Studies
By Lin Jiao Yue Jin Yang Shen a School of International Journalism and Communication, Beijing Foreign Studies University, Beijing, Chinab School of International and Public Affairs, Shanghai Jiao Tong University, Shanghai, China
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Feminist Media Studies
By Tongwen Xu Yunhong Lyu Jingsen Zhong College of Literature and News Communication, Guangdong Ocean University, Zhanjiang, Guangdong, ChinaTongwen Xu is a lecturer at the College of Literature and News Communication, Guangdong Ocean University (Zhanjiang, China). His research interests include new media, gender culture, and geomedia. He has published over 20 papers in journals such as Chinese Journal of Journalism & Communication. His E-mail address is ryanxtw@163.com.Yunhong Lyu is a lecturer at the College of Literature and News Communication, Guangdong Ocean University (Zhanjiang, China). Her research focuses on new media culture, and she has published over 10 papers in journals such as Media, Culture & Society.Jingsen Zhong is a student at the College of Literature and News Communication, Guangdong Ocean University (Zhanjiang, China). His research focuses on new media culture.
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Historical Journal of Film, Radio and Television
By Axelle Demus Axelle Demus is a Postdoctoral Fellow in Community Archives and Accessibility at McGill University’s School of Information Studies. Demus holds a PhD from the joint Communication and Culture Program at York University and Toronto Metropolitan University. Their research focuses on the history and archives of LGBTQ2+ community television programs in Canada, from the 1970s to the 2000s. Their writing has appeared or is forthcoming in Public Journal, the Journal of 20th Media History, the Canadian Journal of Film Studies, and Synoptique: An Online Journal of Film and Moving Image Studies.
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Historical Journal of Film, Radio and Television
By Sarah Street Sarah Street is Professor of Film, University of Bristol. Her publications include British National Cinema (1997) and Transatlantic Crossings: British Feature Films in the USA (2002). Her publications on colour films include Colour Films in Britain: The Negotiation of Innovation, 1900–55 (2012, winner of the BAFTSS book prize 2014), and two co-edited collections (with Simon Brown and Liz Watkins), Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) and British Colour Cinema: Practices and Theories (2013). Her latest books are Deborah Kerr (2018); Chromatic Modernity: Color, Cinema, and Media of the 1920s (2019, co-authored with Joshua Yumibe; winner of Kovács book prize, SCMS 2020); Colour Films in Britain: The Eastmancolor Revolution (co-authored with Keith M. Johnston, Paul Frith and Carolyn Rickards) and Pinewood: Anatomy of a Film Studio in Post-war Britain (2024). She is Principal Investigator on the European Research Council Advanced Grant STUDIOTEC: Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930–60.
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Historical Journal of Film, Radio and Television
By Nicholas J. Cull Nicholas J. Cull is professor of Public Diplomacy at the University of Southern California, where his roles include serving as a fellow in both the Center for Communication Leadership and Policy and Center on Public Diplomacy. He is a prolific historian of the role of media and culture in foreign policy and his books include two volumes on popular cinema co-edited with James Chapman: Projecting Empire: Imperialism in Popular Cinema and Projecting the Future: Science Fiction in Popular Cinema. He is a past president of the International Association for Media and History and a regular contributor to this journal.
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Journal of Popular Film and Television
By Tom Ue Department of Literature, Folklore, and the Arts, Cape Breton University, Sydney, Nova Scotia, Canada
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Journal of Popular Film and Television
By Paul Cornelius Douglas Rhein a Independent Researcher, Bangkok, Thailandb Social Science Division, Mahidol University International College, Nakhon Pathom, ThailandPaul Cornelius is a US-based researcher who currently resides in Bangkok, Thailand, where he has lived for the past fourteen years.Douglas Rhein is an associate professor in the social science division at Mahidol University International College, Nakhon Pathom, Thailand.
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Journal of Popular Film and Television
By S. A. Wilder School of Film, Media, and Theater, Georgia State University, Atlanta, Georgia, USAS. A. Wilder is a doctoral candidate in Moving Image Studies at the School of Film, Media, and Theater at Georgia State University. A cinema and television scholar, his research focuses on late cinematic style and its relationship to auteurism. He has published research articles in Asian Cinema Journal, Quarterly Review of Film and Video, Film & History, Journal of Popular Film and Television, and Porn Studies, among others, as well as a chapter in the edited volume Serial Killers and Serial Spectators (Brill, 2024).
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Journal of Popular Film and Television
By Mike McKenna Farmingdale State CollegeMichael McKenna is a professor of history, politics, and geography at Farmingdale State College in Farmingdale, New York.
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Media Asia
By Debosmita Saha Aditya Kumar Shukla a Operations Associate, Bhanzu, Bengaluru, Indiab Amity School of Communication, Amity University Madhya Pradesh, Gwalior, IndiaDebosmita Saha is an operations associate at Bhanzu, Bengaluru, India.Aditya Kumar Shukla is an Associate Professor of Media Studies at the Amity University Madhya Pradesh, Gwalior, India.
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Media Asia
By Fadli Agus Triansyah Nofriansyah Department of Economic Education, Universitas PendidikanIndonesia, Bandung, IndonesiaFadli Agus Triansyah is a doctoral candidate at the Department of Economic Education, Universitas Pendidikan Indonesia.Nofriansyah is a doctoral candidate at the same department and university.
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Media Asia
By Debdatta Chakraborty Sarbani Banerjee Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Roorkee, Uttarakhand, IndiaDebdatta Chakraborty is a senior research fellow at the Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Uttarakhand, India. She is working on the area of Bengali Dalit studies with a special focus on caste-gender intersectionality.Sarbani Banerjee is an Assistant Professor of English at the Department of Humanities and Social Sciences, Indian institute of Technology Roorkee, Uttarakhand, India. Her areas of specialization include postcolonial literature and theory, Canadian literature and culture, and post-partition Bengali literature and cinema.
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Media Asia
By Ritu Arya Rubal Kanozia Department of Mass Communication and Media Studies, Central University of Punjab, Bathinda (CUPB), IndiaRitu Arya is a Senior Research Fellow pursuing her Ph.D. at Department of MCMS, CUPB. Her research areas are mis/disinformation, fact-checking, media literacy, and interventions.Rubal Kanozia is an Associate Professor and Head, Department of MCMS, CUPB. His research areas are mis/disinformation, health misinformation, fact-checking, and media literacy interventions.
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Media Asia
By Debosmita Saha Aditya Kumar Shukla a Bhanzu, Bengaluru, Indiab Amity School of Communication, Amity University Madhya Pradesh, Gwalior, IndiaDebosmita Saha is an operations associate at Bhanzu, Bengaluru, India.Aditya Kumar Shukla is an Associate Professor of Media Studies at the Amity University Madhya Pradesh, Gwalior, India.
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Media Asia
By Bibin Sebastian Department of Languages, Rajagiri College of Social Sciences (Autonomous), Kalamassery, IndiaBibin Sebastian is an Assistant Professor at the Department of Languages, Rajagiri College of Social Sciences (Autonomous), Kalamassery, India.
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Media Asia
By Hendry Roris P. Sianturi Department of Communication Studies, Universitas Singaperbangsa Karawang, IndonesiaHendry Roris P. Sianturi is a lecturer and researcher in journalism and digital media at the Department of Communication Science, Universitas Singaperbangsa Karawang, Indonesia. He was an investigative journalist at Gatra Magazine.
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Media Asia
By Rishav Singh Tomar Aditya Kumar Shukla Amity School of Communication, Amity University Madhya Pradesh, Gwalior, IndiaRishav Singh Tomar is a Research Scholar at Amity University Madhya Pradesh, Gwalior, India.Aditya Kumar Shukla is an Associate Professor of Media Studies at the same university.
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Media History
By Carolyn Birdsall Simone Dotto Carolyn Birdsall (author to whom correspondence should be addressed), Department of Media Studies, University of Amsterdam, Turfdraagsterpad 9, 1012 XT Amsterdam, Netherlands, E-mail: c.j.birdsall@uva.nlSimone Dotto, Department of Humanities and Cultural Heritage, Università degli studi di Udine, Palazzo Caiselli, vicolo Florio 2/b, 33100, Udine, Italy. E-mail: simone.dotto@uniud.it
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Media History
By Takao Terui Takao Terui, Academy of Film and Creative Technology, Xi'an Jiaotong Liverpool University, No.111, Ren'ai Road, Suzhou Dushu Lake Science and Education Innovation District, Jiangsu Province, China, 215123: E-mail; Takao.Terui@xjtlu.edu.cn.
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Media History
By Teresa Breathnach Teresa Breathnach, Dublin City Library and Archive, 138-144 Pearse Street, Dublin 2, Ireland. E-mail tbreathnach@hotmail.com
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Media History
By Peter Putnis John Jenks Peter Putnis, News and Media Research Centre, University of Canberra, Canberra 2617, Australia. E-mail: Peter.Putnis@canberra.edu.auJohn Jenks, Communication Arts and Sciences, Dominican University, River Forest 60305-1066, United States. E-mail: jjenks@dom.edu
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Media History
By Conall Ó Fátharta Conall Ó Fátharta, Department of Media Studies, Maynooth University, Maynooth, Co. Kildare, Ireland. E-mail: conall.ofatharta.2022@mumail.ie
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Media History
By Joël Danet Christian Bonah Joël Danet (author to whom correspondence should be addressed), UMR SAGE, DHVS, Faculté de médecine de Strasbourg, 4 rue Kirschleger 67085 Strasbourg, France. Tel: 0033(0)3.68.85.40.78; E-mail: danet@unistra.frChristian Bonah, UMR SAGE, DHVS Faculté de médecine, Université de Strasbourg, 4 rue Kirschleger 67085 Strasbourg, France. Tel: 0033 (0)3 68 85 40 93; E-mail: bonah@unistra.fr
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Media History
By Zhen Yuan Bo Li Zhen Yuan, School of Foreign Studies, Zhaoqing University, Zhaoqing, Guangdong, China. E-mail: zhenyuan3-c@my.cityu.edu.hkBo Li (author to whom correspondence should be addressed), Department of Translation, Lingnan University, Tuen Mun, NT, Hong Kong.
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New Review of Film and Television Studies
By Robert Gordon Joseph Department of Communication, University of Dayton, Dayton, OH, USARobert Gordon Joseph is a Senior Lecturer in the Department of Communication at the University of Dayton. He received his PhD in American Culture Studies at Bowling Green State University. He has published work on New Orleans in film and TV (his dissertation topic), filmed representations of the Book of Revelation, and the significance of Abraham Lincoln in Twin Peaks.
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New Review of Film and Television Studies
By Tyler Parks Department of Film Studies, University of St Andrews, Edinburgh, UKTyler Parks is a Lecturer in Film Studies at the University of St Andrews. His current research focuses on atmosphere and the environmental politics of landscape films, as well as conservation, environmentalism, and the use of film by the US Department of the Interior between 1930 and 1970. His first book, Unnatural Experience: Subjective Style and 2000s Art Cinema, is forthcoming from Edinburgh University Press. His writing has been published in Film-Philosophy and a number of edited volumes.
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New Review of Film and Television Studies
By Molly A. Schneider School of Film and Television, Columbia College Chicago, Chicago, IL, USAMolly A. Schneider is a television historian and an Associate Professor in the School of Film and Television at Columbia College Chicago. Her recent book, Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture (University of Texas Press), is a cultural history of the U.S. anthology drama, with a particular focus on the ways the format intersects with notions of ‘Americanness.’
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New Review of Film and Television Studies
By Liza Palmer University of North Carolina Wilmington, NC, USALiza Palmer, librarian, is managing editor for the Association of Moving Image Archivists’ The Moving Image and co-editor-in-chief of Film Matters. She is an academic publishing specialist in Film Studies at the University of North Carolina Wilmington and is particularly proud of her 2022–2023 Kathleen Berkeley Inconvenient Woman Award from UNCW’s Gender Studies and Research Center.
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New Review of Film and Television Studies
By Timothy Penner Department of English, Theatre, Film & Media, University of Manitoba, Winnipeg, Manitoba, CanadaTimothy Penner is an adjunct professor in the department of English, Theatre, Film & Media at the University of Manitoba in Winnipeg, Canada. His research focusses on celebrity persona construction. He has published on figures like Ernest Hemingway, Alfred Hitchcock, and Bruce Springsteen.
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New Review of Film and Television Studies
By Nora Stone Department of Cinematic Arts & Theatre, University of North Alabama, Florence, AL, USANora Stone is Assistant Professor of Cinematic Arts & Theatre at the University of North Alabama. Her monograph, How Documentaries Went Mainstream: A History, 1960–2022, was published by Oxford University Press in 2023. Her writing has appeared in Media Industries Journal, Film Quarterly, and Historical Journal of Film, Radio, and Television. Her recent short narrative film Lakebed won the Mitchell-West Women in Film Award at the Lindsey Film Festival. norastone@gmail.com
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Quarterly Review of Film and Video
By Ronald S. Green Ronald S. Green is Professor and Chair of Philosophy and Religious Studies at Coastal Carolina University. He holds a PhD in Buddhist Studies from the University of Wisconsin-Madison and specializes in Buddhism and film, East Asian religious traditions, and ethnographic approaches to religion. He is the author of Buddhism Goes to the Movies (Routledge, 2014) and numerous articles exploring representations of Buddhism in cinema.
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Quarterly Review of Film and Video
By Younes Poorghorban Younes Poorghorban is a PhD candidate at Victoria University of Wellington, specialising in historical adaptations of Oscar Wilde’s The Picture of Dorian Gray. His research explores themes of homoeroticism and aestheticism in Wildean adaptations across literature, theatre, and film. His broader interests include Neo-Victorian literature, Gothic studies, Ecocriticism, and the intersections of art and identity in modern and historical contexts.
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Quarterly Review of Film and Video
By Anushka Singh Anushka Singh is Assistant Professor, School of Legal and Socio Political Studies, Dr. B.R. Ambedkar University Delhi, Delhi, India.
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Quarterly Review of Film and Video
By Dahman Abdeghni Dahman Abdeghni is a Ph.D. Candidate in Transnational Cinema and Cultural Studies at Sidi Mohamed Ben Abdellah University, Faculty of Letters and Human Sciences, Fez, Morocco. He is particularly interested in Moroccan, African, and transnational cinemas, cultural studies, media studies, translation, travel narratives, and postcolonial literature. abdeghni.dahman@usmba.ac.ma
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Quarterly Review of Film and Video
By Hongyan Zou Peter Pugsley Hongyan Zou is Lecturer in the College of English Languages and Cultures at Sichuan University, Chengdu, China, and she is also Visiting Scholar at the University of Cambridge from 2024-2025. She has published a book titled Western China on Screen: An Urban Exploration (Edinburgh University Press, 2021). She is also the author of the chapter “Chinese films and the sense of place: Beijing as ‘Thirdspace’ from In the Heat of the Sun to Mr. Six” in the edited book Making Publics, Making Places. Her research focuses on the dynamic relationship between the cinema and cities, Chinese minority films and Chinese Westerns.Peter C. Pugsley is Associate Professor in Film Studies at the University of Adelaide, South Australia. He is the author of four books on contemporary Asian cinema and has published extensively on film and television. He teaches Asian Film Studies, Screenwriting, and Advanced Film Theory.
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Quarterly Review of Film and Video
By Jakob Boer Ludo de Roo Dr. Jakob Boer is post-doctoral researcher in Film Studies at the University of Groningen. His research interests are lived experiences of audiovisual media, aesthetics, and film theory.Ludo de Roo obtained his Ph.D. in Philosophy at Macquarie University, Sydney. His research investigates elemental imagination in film, combining phenomenological film-philosophy and ecocinema theory. Current projects incorporate insights from environmental humanities and comparative philosophy. ForFilm-Philosophy, he has co-edited a dossier on Heideggerian film-philosophy, with other work appearing inNew Review of Film and Television StudiesandProjections. Email: ludo-beau.de-roo@mq.edu.au
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Quarterly Review of Film and Video
By Steven Rybin Steven Rybin is professor of Film Studies in the Department of Creative Arts at Minnesota State University, Mankato. He is the author of Playful Frames: Styles of Widescreen Cinema (Rutgers 2023), Shots to the Heart: For the Love of Film Performance (Anthem 2022), Geraldine Chaplin: The Gift of Film Performance (Edinburgh 2020), among other books. His new book, Paul Verhoeven’s Cinema of Violence, is forthcoming from Bloomsbury.
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Studies in Documentary Film
By Muh Nuzul Adri Syamsuddin Aziz Alem Febri Sonni Department of Communication Studies, Hasanuddin University, Makassar, Indonesia
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Studies in Documentary Film
By Conn Holohan Mairéad Hogan David Kelly Marianne Kennedy Charlotte Silke a Huston School of Film & Digital Media, University of Galway, Galway, Irelandb J.E. Cairnes School of Business & Economics, University of Galway, Galway, Irelandc Centre for Creative Technologies, University of Galway, Galway, Irelandd Drama and Theatre Studies, University of Galway, Galway, Irelande UNESCO Child & Family Research Centre, University of Galway, Galway, IrelandConn Holohan is Director of the Centre for Creative Technologies at the University of Galway. His publications focus on the onscreen representations of home in cinema and immersive media. He has led a number of co-created film projects working with homeless organizations and is the lead researcher on the cross-disciplinary Immersive Empathy project.Mairéad Hogan is a lecturer in Business Information Systems within the J.E. Cairnes School of Business & Economics at University of Galway. Her research mainly focuses on various areas of User Experience Design (UXD). Her research contributions include work on group collaboration, digital accessibility, and ethical design practices, with publications in fields related to both UX and education.David Kelly is Project Lead at the Centre for Creative Technologies, and Digital Humanities Manager at University of Galway. He is a designer and developer with more than 15 years’ experience in designing and building innovative digital projects with researchers from the Arts & Humanities to enable and better communicate their research. He has previously published on a variety of digital humanities-related topics, data visualization design, open source software, and technology innovation adoption.Marianne Kennedy, is a theatre director and producer and lecturer in Drama and Theatre Studies, in the University of Galway. She is the current Creative Director of The O’Donoghue Centre for Drama, Theatre and Performance and Artistic Director of the University of Galway’s ‘Arts in Action,’ programme. Her research interests include contemporary Irish language and multilingual theatre, Arts Management, Theatre for Young Audiences and Irish and International Arts policy and Theatre Producing.Charlotte Silke is a researcher with the UNESCO Child & Family Research Centre, at the University of Galway, who specializes in research relating to youth’s social and emotional development. Charlotte has acted as the lead researcher on several projects exploring important topics such as youth mental health, empathy, and youth mentoring. In her work, Charlotte frequently collaborates with applied partners, including schools, youth organizations and health service providers, which underscores her commitment to ensuring that research is applied, with real-world relevance.
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Studies in Documentary Film
By Joseph Aketema Department of Film and Television Techniques, Institute of Film and Television,University of Media Arts and Communication, Accra, GhanaJoseph Aketema, A lecturer at UniMAC – Institute of Film and Television (PhD, M.Phil. M.A, BFA, DIP) Taught Research Methods and documentary filmmaking at the University of Ghana, Legon. He is currently Teaching Science Communication, Screen Writing, General introduction to African Studies, and Research Methods at the University of Media Arts and Communication UniMAC – Institute of Film and Television (IFT Branch), Ghana. His research interest is in media and cultural studies. Joseph Aketema has made presentations at both the local and international levels on themes of Afrocentricity, history, media and culture.
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Studies in Documentary Film
By Anna Huth Christoph Huth a Kieślowski Film School, Uniwersytet Slaski w Katowicach, Katowice, Polandb OFOKLES GbR, SOFOKLES GbR, GermanyAnna Huth, PhD. is an academic at the Kieslowski Film School, University of Silesia in Katowice, Poland. She holds a doctorate in political science and administration from the University of Silesia. Anna completed postgraduate studies at the German Film and Television Academy (DFFB) in Berlin, focusing on film distribution markets. She is an expert for Creative Europe MEDIA in the European Co-Development programme. Anna has taught at several universities, including the University of Erfurt, DMJX in Copenhagen, and since 2023, at the University of Vienna, where she teaches courses on documentary film distribution.Christoph Huth, M.A. studied educational science, psychology and sociology. He has been engaged for over seven years in small-scale statistical analyses in the social, educational and health sectors, as well as in the design of surveys and evaluation frameworks – initially as a research associate at a university, and later in municipal consulting and market research. He is a co-founder of SOFOKLES, where he develops research designs and conducts data analyses.
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Studies in Documentary Film
By Kathleen M. Ryan David Staton a University of Colorado Boulder, Boulder, USAb University of Northern Colorado, Greeley, USAKathleen M. Ryan is a documentary filmmaker with more than 20 years of experience in network and local news. Her research and creative work focus on transformations in storytelling due to shifting media technologies. Specifically, she explores the intersection of theory and praxis within evolving media forms such as the interactive documentary (i-doc). Her hybrid projects deal with issues of gender, self-identity, oral history, visuality, and user/participant agency. Ryan has been recognized for excellence in both her professional and academic work, receiving grants from the National Endowment for the Humanities, the National Association of Broadcasters PILOT Program, and the Ohio Humanities Council. Her book Pin Up! The Subculture (Ryan, ) was named as the 2021 Diane S. Hope Book of the Year award from the National Communication Association's Visual Communication Division. She‘s received awards of merit for her feature films and i-docs from Broadcast Education Association and Popular Culture Association, has received best documentary awards at several film festivals, and was a New England Emmy nominee for her news production. Her current project is an oral history of women landscape photographers. Ryan holds a PhD in communication and society from the University of Oregon, an MA in broadcast journalism from the University of Southern California, and a BA in political science from the University of California, Santa Barbara.David Staton began his career as the intern that never left at the Albuquerque Journal. He later became a staff arts and feature writer at the paper before going on to write for a variety of magazines, websites and newsletters. As a journalist, he has shared stories across platforms, from web ‘mini documentaries’ to full-length film projects, from ‘puff’ pieces to breaking news. He has produced and/or written screenplays for three full-length documentary films, the most recent of which, Pin Up! The Movie has screened at film festivals internationally. Summer of 2020 marked the completion of his first solo-directed documentary short, Ghost Resort. It has been screened at national and international festivals. An Associate Professor at the University of Northern Colorado, he completed his PhD at the University of Oregon. He's also acted as an adjunct instructor in CU, Boulder's College of Media, Communication and Information teaching skills courses and at Miami University.
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Studies in Documentary Film
By Fadeliyah Ikhwan Muh. Akbar Muliadi Mau Department of Communication Science, Hasanuddin University, Makassar, Indonesia
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Studies in Documentary Film
By Jinyan Zeng Centre for East and South-East Asian Studies, Lund University, Lund, SwedenJinyan Zeng 曾金燕 is a Substitute Senior Lecturer at the Centre for East and South-East Asian Studies, Lund University, Sweden. She is a scholar and documentary filmmaker. Her research focuses on gender and sexuality, culture and politics, intellectual identity and activism, visualization, digitalization, and ethnicity, with a particular emphasis on the Chinese-speaking world. Among various publications, she has authored Feminism and Genesis of Citizen Intelligentsia in China (in Chinese, 2016, City University of Hong Kong Press), co-edited Feminist Activism in the Post-2010s Sinosphere (2024, with Elisabeth Lund Engebretsen, Bloomsbury Academic), and co-directed documentary film Outcry and Whisper (2020, with Wen Hai and Trish McAdam).
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Studies in Documentary Film
By Rajesh James Department of English, Sacred Heart College, Kochi, IndiaDr. Rajesh James is an Assistant Professor in the Department of English, Sacred Heart College, Kochi since 2011. His research articles have appeared in SCI/Scopus Indexed journals such as ARIEL: A Review of International Literature (John Hopkins University, USA), Studies in Documentary Film (Routledge), Wacana Seni: Journal of Arts Discourse, and Economic and Political Weekly. He is the co-author/editor of books such as India Retold: Dialogues with Independent Documentary Filmmakers in India (Bloomsbury).