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Feminist Media Studies
By Jess Rauchberg Jessica Maddox a Department of Communication, Media, and the Arts, Seton Hall University, South Orange, USAb Department of Journalism and Creative Media, The University of Alabama, Tuscaloosa, USAJess Rauchberg (Ph.D., McMaster) is an assistant professor of communication technologies at Seton Hall University. Her scholarship addresses concerns of identity, power, and cultural production on social media platforms. Rauchberg’s work appears in New Media & Society, Feminist Media Studies, Human-Machine Communication, and First Monday, among other venues. She is currently writing a book about shitposting and aspirational social media labor.Jessica Maddox is an associate professor of digital media technology at the University of Alabama, where she studies content creators, influencers, and social media platforms. She is the author of The Internet is for Cats: How Animal Images Shape Our Digital Lives (Rutgers University Press, 2023).
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Feminist Media Studies
By Karen Jiang K. Aly Bailey Larkin Lamarche a Faculty of Medicine, University of British Columbia, Vancouver, Canadab Department of Recreation and Leisure Studies, University of Waterloo, Waterloo, Canadac School of Kinesiology and Health Science, York University, Toronto, CanadaKaren Jiang graduated as an undergraduate student from the Faculty of Health Sciences at McMaster University. She is currently a medical student at the University of British Columbia.K Aly Bailey is currently an Assistant Professor in the Department of Recreation and Leisure Studies at the University of Waterloo.Larkin Lamarche is currently an Assistant Professor in the School of Kinesiology and Health Science at York University.
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Feminist Media Studies
By Rosalind Gill MCCS & ICCE, Goldsmiths, University of London, LondonRosalind Gill is Professor of Inequalities in Media, Culture and Creative Industries at Goldsmiths, University of London, and is author of several books including Confidence Culture (with Shani Orgad, Duke University press 2022) and Perfect: Feeling Judged on Social Media (Polity, 2023).
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Feminist Media Studies
By Brooke Erin Duffy Department of Communication, Cornell UniversityBrooke Erin Duffy is an Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, & Sexuality Studies faculty. Her research interests include digital and social media industries; gender, identity, and inequality; and the impact of new technologies on creative work and labor. She’s the author or co-author of three books, including (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work (Yale University Press, 2017/2022), which draws upon research with fashion bloggers, YouTubers, and Instagrammers to explore the culture and politics of the digital labor. She is currently writing a book on the fraught politics of visibility in the creator economy.
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Feminist Media Studies
By Shani Orgad Kate Gilchrist Catherine Rottenberg a Department of Media and Communications, London School of Economics and Political Science, London, United Kingdomb Department of Media, Communications and Cultural Studies, Goldsmiths, University of London, London, United KingdomShani Orgad is a professor of media and communications at the London School of Economics and Political Science (LSE). Her research focuses on gender, feminism and the media, inequality and contemporary culture and media representations of suffering and migration. She is the author of numerous articles, op-eds and books including the most recent, Confidence Culture (with Rosalind Gill, 2022, Duke University Press) and Heading Home: Motherhood, Work, and the Failed Promise of Equality (2019, Columbia University Press).Kate Gilchrist is a Postdoctoral Research Assistant at Goldsmiths, University of London and a lecturer in Digital Media at the Department of Culture, Communication and Media, University College London.Catherine Rottenberg is a professor of feminist thought and culture in the department of Media, Communications and Cultural Studies at Goldsmiths, University of London. Her monographs include The Rise of Neoliberal Feminism (2018) and Performing Americanness (2008), and she is the co-author of The Care Manifesto (2020) as well as the editor of This is Not A Feminism Textbook! (2023) and Black Harlem and the Jewish Lower East Side (2013).
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Feminist Media Studies
By Irmgard Wetzstein Yvonne Prinzellner Elisabeth Kröpfl a Department of Digital Business and Innovation, University of Applied Sciences St. Pölten, St. Pölten, Austriab Department of Communication, Faculty of Social Sciences, University of Vienna, Vienna, Austriac Department of Health Sciences, University of Applied Sciences St. Pölten, St. Pölten, Austriad Independent Researcher, Vienna, AustriaIrmgard Wetzstein obtained her PhD in Media Communications at the Department of Communication, Faculty of Social Sciences, University of Vienna. She currently serves as academic director responsible for the “Management and Digital Business” bachelor curriculum at the University of Applied Sciences St. Pölten and as a lecturer at the University of Vienna’s Department of Communication. Her research and teaching interests i.a. include gender, intersectionality and social inequality, online communication and societal knowledge, migration and media, work 4.0 and inclusion, sustainability and digital transformation as well as visual communication. Email: irmgard.wetzstein@fhstp.ac.at.Yvonne Prinzellner obtained her PhD in Communication Sciences at the Department of Economic Sciences and Media, Technische Universität Ilmenau. She currently serves as a senior researcher at the Center for Digital Health and Social Innovation at the University of Applied Sciences St. Pölten. Her research and teaching interests include media psychology, health communication, gender and intersectionality and online communication.Elisabeth Kröpfl obtained her MA in Journalism and New Media at the Department of Journalism and Media Management, FHWien der WKW. She works as a journalist in Vienna.
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Feminist Media Studies
By Jeehyun Jenny Lee Department of Communication, University of Illinois Chicago, Chicago, IL, USAJeehyun Jenny Lee is a Bridge to Faculty Postdoctoral Scholar at the University of Illinois Chicago. Her research explores the power dynamics and inequities at play in the development of new media cultures and artifacts through areas including social media popular cultures, AI cultures, and creator cultures.
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Historical Journal of Film, Radio and Television
By Joseph Gibbs Joseph Gibbs is a professor in the Department of Media Communication, American University of Sharjah, United Arab Emirates.
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Historical Journal of Film, Radio and Television
By Helen Warner Dr Helen Warner is an Associate Professor in Media and Digital Cultures at UEA. Her research interests include gender, feminism and the creative industries. She is the author of Fashion on TV (2013) and co-editor of The Politics of Being a Woman (2014 with Dr Heather Savigny).
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Historical Journal of Film, Radio and Television
By Josette Wolthuis Josette Wolthuis is a Lecturer in Visual Culture at Radboud University in the Netherlands and mainly researches issues around costume design and fashion in film and television, as well as, more recently, Dutch television history. Before joining Radboud University, she taught at the University of Warwick, Coventry University, the London Film School, the University of Groningen, and the University of Amsterdam. She is currently turning her PhD thesis into a book.
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Historical Journal of Film, Radio and Television
By Esther Império Hamburger Hanna Henck Dias Esperança Esther Hamburger is Professor of History, Theory, Criticism, and Project at the Department of Cinema, Radio and Television of the School of Communications and Arts of the Universidade de São Paulo. She holds a PhD in Anthropology from The University of Chicago, she has been a Thinker fellow, and visiting professor at Columbia University, ILAS, and the School of Arts; Visiting Researcher at Harvard University, DRCLAS; and visiting professor at the University of Michigan, Ann Arbor. In the intersection of Cinema and Media Studies and Anthropology, her work focuses on the ways in which film and television, and new media relate to each other, trigger memories, inspire present productions, and in so doing reinforce, but also resist, and foster shifting power relations. She has written a number of chapters and journal papers focusing on specific articulations of the moving images and sounds, and social and political inequalities, especially related to gender, race, and class discrimination in urban spaces. Her work in Brazil, and her teaching on world cinemas, has fostered comparative perspectives in regard to time and space, but also to the relations between different audiovisual media. I am currently vice-director of the university’s Museum of Contemporary Art.Hanna Henck Dias Esperança, Ph.D. candidate in the School of Communications and Arts, at University of São Paulo and researcher supported by the São Paulo Research Foundation.
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Historical Journal of Film, Radio and Television
By Juan-Pablo Osman Nancy R. Gómez Delfina M. Chacón a Departamento de Comunicación Social, Universidad Del Norte, Colombiab Independent, SpainJuan-Pablo Osman is an Assistant Professor in the Department of Social Communication at Universidad del Norte in Barranquilla, Colombia, holding a Ph.D in Communication. His areas of research include audiovisual narratives and their relationship with history, culture and society.Nancy R. Gómez is a Professor at Universidad del Norte in Colombia, holding a Ph.D from Ohio University in Communication focusing on Gender Studies and Rhetoric. Her research examines gender inequality and the representation of the female body in media and public and private spaces.Delfina M. Chacón Corena is an audiovisual producer and independent researcher, with studies in Mass Communications and Journalism, and a Master’s degree in Film and Television Production. She is the founder of the pioneer project Encuadradas, which focuses on registering and highlighting women filmmakers of the Colombian Caribbean.
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Historical Journal of Film, Radio and Television
By Kate Terkanian Kate Terkanian is Senior Lecturer in History in the Humanities and Law Department, Faculty of Media and Communication at Bournemouth University, Fern Barrow, Poole, UK. Her monograph on women at the BBC during the Second World War will be published by Bloomsbury Academic in 2025. Her research interests concern women’s experiences in the workplace, gendering in employment, and public history.
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Journal of Popular Film and Television
By Tom Ue Department of Literature, Folklore, and the Arts, Cape Breton University, Sydney, Nova Scotia, Canada
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Journal of Popular Film and Television
By Antonio Sanna University of SassariAntonio Sanna (Ph.D., University of Westminster) has published over one hundred articles and reviews in international journals in the past sixteen years. He is the co-editor of the Lexington Books series Critical Companions to Contemporary Directors and Villains and Creatures. He has also edited the volumes Pirates in History and Popular Culture, Critical Essays on Twin Peaks: The Return, Arthur Machen: Critical Essays, and Alice in Wonderland in Film and Popular Culture. Antonio is currently a Teaching Assistant at the Università degli Studi di Sassari.
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Journal of Popular Film and Television
By Heather Duerre Humann Florida Gulf Coast UniversityDr. Heather Humann teaches full time in the Department of Language & Literature at Florida Gulf Coast University.
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Journal of Popular Film and Television
By Sarita Cannon San Francisco State UniversitySarita Cannon is a professor of English language and literature in the College of Liberal and Creative Arts, San Francisco State University, where she teaches courses on twentieth-century U.S. literatures. She is the author of Black Native Autobiographical Acts: Navigating the Minefields of Authenticity (Lexington Books, 2021).
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Media Asia
By Rabindra Kumar Verma Manoj Kumar a Department of Languages, Literatures and Cultural Studies, Manipal University Jaipur, Indiab Department of Journalism and Mass communication, University of Allahabad, Prayagraj, IndiaRabindra Kumar Verma is an Assistant Professor at the Department of Languages, Literatures and Cultural Studies, Manipal University Jaipur, India. He has more than 12 years of experience in teaching and research.Manoj Kumar is a researcher at the Department of Journalism and Mass Communication, University of Allahabad, Prayagraj, India. He has 16 years of experience in print/online journalism. His core area of research is film studies.
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Media Asia
By Le Thi My Danh Tran Thi Mai Linh Nguyen Thi Tra My Le Hong Phuc Do Thi Thanh Nguyen Tran Thi Truc Linh Multimedia and Communication, FPT University, Ho Chi Minh City, VietnamLe Thi My Danh is a senior lecturer at the Faculty of Multimedia Communication, FPT University, Ho Chi Minh City Campus, Vietnam.Tran Thi Mai Linh, Nguyen Thi Tra My, Le Hong Phuc, Do Thi Thanh Nguyen, and Tran Thi Truc Linh are Multimedia Communication students at FPT University, Vietnam.
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Media Asia
By Kiran Raveendran Dhishna Pannikot School of Humanities, Social Sciences and Management, National Institute of Technology Karnataka, Mangalore, KarnatakaKiran Raveendran is a teaching assistant and research fellow in the School of Humanities, Social Sciences and Management at the National Institute of Technology Karnataka, India. His areas of interest include film studies, cultural studies, gender studies and popular culture.Dhishna Pannikot, an academician with thirteen years’ experience in teaching at various institutions in India, is an Associate Professor of English in the School of Humanities, Social Sciences and Management at the National Institute of Technology Karnataka, India.
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Media Asia
By Katrina Angelie Sukardi Deborah N. Simorangkir Swiss German University, Banten, Tangerang, IndonesiaKatrina Angelie Sukardi is a graduate of Swiss German University with a Bachelor’s degree in Global Strategic Communications.Deborah N. Simorangkir is an Associate Professor at the Faculty of Business and Communication, Swiss German University, Indonesia.
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Media Asia
By Sadia Jamil Gifty Appiah-Adjei a School of International Communications, The University of Nottingham Ningbo, Ningbo, Chinab University of Education, Winneba, GhanaSadia Jamil is an Assistant Professor and Director of Research at the School of International Communication at the University of Nottingham Ningbo, China.Gifty Appiah-Adjei is a Senior Lecturer in media and communications at the University of Education, Winneba, Ghana.
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Media Asia
By Gülüm Şener New Media Department, 15 November Cyprus University, Nicosia, Turkish Republic of Northern CyprusGülüm Şener is an associate professor of the New Media Department, 15 November Cyprus University, Nicosia, Turkish Republic of Northern Cyprus. Her research interests include digital activism, video activism, social media, and digital gender-based violence.
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Media Asia
By Abhijit Maity Jolly Jain a Department of English, Lady Shri Ram College for Women, Delhi University, New Delhi, Indiab School of Mass Communication, JECRC University, Jaipur, IndiaAbhijit Maity is an Assistant Professor of English at Lady Shri Ram College for Women, The University of Delhi, India. His research interests include gender and sexuality studies, postcolonial literature, popular culture, as well as identity politics in South Asian Literature.Jolly Jain is an Assistant Professor of Mass Communication at the School of Mass Communication, JECRC University, India. Her areas of expertise include social media communications, event management, web journalism, crisis communication, public relations, and corporate communications.
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Media Asia
By Kakulee Akhter Md. Sayeed Al-Zaman Department of Journalism and Media Studies, Jahangirnagar University, Dhaka, BangladeshKakulee Akhter is a graduate student in the Department of Journalism and Media Studies at Jahangirnagar University, Dhaka, Bangladesh.Md. Sayeed Al-Zaman is an Assistant Professor in the Department of Journalism and Media Studies at Jahangirnagar University, Dhaka, Bangladesh. His research focuses on the intersection between the internet and social issues, digital information, and online behavior.
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Media History
By Clare V. Church Clare V. Church, Department of History and Welsh History, Aberystwyth University, Aberystwyth, SY23 3FL, United Kingdom of Great Britain and Northern Ireland. E-mail clc34@aber.ac.uk, clarevchurch@hotmail.com
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Media History
By Anastasia Fedorova Anastasia Fedorova, Institute for Oriental and Classical Studies, National Research University Higher School of Economics, Staraya Basmannaya 21/4, Moskva, Moscow 105066 Russian Federation. E-mail: nastassja.fedorova@gmail.com
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Media History
By Stéphanie Prévost Stéphanie Prévost, LARCA (CNRS-UMR 8225), Université Paris Cité, Institut Universitaire de France; E-mail: stephprevostsp@gmail.com; stephanie.prevost@univ-paris-diderot.fr
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Media History
By María José Ruiz Acosta María José Ruiz Acosta, Periodismo II, Facultad de Comunicación, Universidad de Sevilla, Avenida Américo Vespucio, s/n Isla de la Cartuja, Sevilla 41092, Spain. E-mail mjruiz@us.es
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Quarterly Review of Film and Video
By Anushka Srivastava Prabhat Dixit Department of Journalism and Mass Communication, School of Media and Communication, Manipal University Jaipur, Jaipur, Rajasthan
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Quarterly Review of Film and Video
By Mani Sharpe Centre for World Cinemas, The University of Leeds, UKMani Sharpe is a film scholar specializing in cinematic representations of de-colonisation and war, particularly within the context of France and Algeria. Methodologically speaking, his research stands at the intersection between war studies, post-colonial studies, and film studies, and he is generally interested in how films convey the process of military-colonial loss through different formal techniques and themes. He is the author of Late-Colonial French Cinema: Filming the Algerian War of Independence, which was published in 2023 with Edinburgh University Press (Traditions in World Cinema series).
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Quarterly Review of Film and Video
By Gokul K.S. Sonika Gupta Gokul K.S. is a PhD research scholar in International Relations at the Department of Humanities and Social Sciences, IIT Madras, researching the Politics of Contemporary Tibetan Cinema and Filmmaking in Exile. Gokul co-curates Tibetscapes, an independent research collective at IIT Madras. He is also a film critic and contributes essays on various aspects of cinema, filmmaking, visual politics and aesthetics to different digital media platforms.Dr Sonika Gupta is an Associate Professor of Global and Chinese Politics at the Department of Humanities and Social Sciences, IIT Madras. Her primary research interests are Chinese Foreign Policy, the Himalayan Borderlands, the Tibetan Exile Community in India and Minority Politics in China. Her current project is looking at the borderland communities in the Indian Himalayas.
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Quarterly Review of Film and Video
By Shreyansh Jain Smita Jha Shreyansh Jain, Research Scholar, Department of Humanities and Social Sciences, Indian Institute of Technology, Roorkee, Uttarakhand, IndiaSmita Jha, Professor, Department of Humanities and Social Sciences, Indian Institute of Technology, Roorkee, Uttarakhand, India.
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Quarterly Review of Film and Video
By Samuel Smucker Samuel Smucker is a Ph.D. candidate at Indiana University in The Media School. His dissertation research investigates Melvin Van Peebles’s Paris years from 1960-1968. He edited the Melvin Van Peebles Close-Up for Black Camera: An International Film Journal. He has published in the Journal of Cinema and Media Studies, JumpCut, Black Camera, and Film Criticism.
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Quarterly Review of Film and Video
By Ashish Dwivedi PhD Student, University of Southampton, Southampton, UKAshish Dwivedi is a film and animation researcher, creative editor, and writer currently based at the University of Southampton, where he is pursuing his doctorate with a focus on the cinema of Guru Dutt. His research spans inter-disciplinary areas, including early popular Bombay cinema, stardom studies, politics of memory, archival studies, animation-utopian studies, Indian esthetics, and modern literary theory. His work has been featured or is forthcoming in Afterimage, Film-Philosophy, E-Cine India, and Silhouette Magazine, among other publications.
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Quarterly Review of Film and Video
By Ciara Whelan PhD Candidate, University College DublinCiara Whelan is a PhD candidate in Film Studies at University College Dublin. She completed her undergraduate degree in English and Film Studies at the same university in 2023 and studied for a year at Cardiff University (21/22). Having finished her master’s degree in Literature and Culture at UCD in the summer of 2024, she began her doctoral degree in the new academic year (24/25) under the supervision of Professor Diane Negra and Assistant Professor Anthony P. McIntyre. Her research is engaged with Irish masculinities and discourses of male crisis articulated in contemporary Irish screen and celebrity cultures which increasingly find commercial relevance in the global marketplace. Her research interests include feminist film theory, masculinities studies, Irish nationalist discourses in media, gender performativity, and genre cinema.
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Quarterly Review of Film and Video
By Katrijn Bekers Katrijn Bekers holds two master’s degrees from the University of Antwerp (Belgium) – one in Theater and Film Studies (Department of Literature and Linguistics) and the other in Film Studies and Visual Culture (Department of Communication Studies). Currently, she is working as a PhD student at the same university on a project called “From Hashtag to Hollywood: Fourth-Wave Feminism and the Representation of Women in Biopics”. She has previously published academic articles in Adaptation and Film International.
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Studies in Documentary Film
By Pinar Fontini School of Media and Communication Department, RMIT University, Melbourne, AustraliaDr Pinar Fontini is a filmmaker and researcher who lectures in the Media program at RMIT. She works at the intersection of Middle Eastern Cinema and Feminist Film Studies. Her research explores women’s filmmaking, especially in the Middle East, as a form of communication, solidarity, and a space of ‘radical possibility’. Her research has been published in Camera Obscura, Feminist Media Studies and Senses of Cinema. Her first monograph, Women's New Cinema in Contemporary Turkey: As if We Were Free, As If A Beautiful Life Were Possible, will be published in April 2025 with Edinburgh University Press and Agora Books.Her feature-length documentary films have received numerous accolades worldwide. Dream Workers (2021) screened at the prestigious International Adana Golden Boll Film Festival and is hosted on the international art-house streaming service MUBI. And What's the Name of the Film? (2022) screened at Internatonal Antalya Golden Organge Film Festival, MUBI, Taste of Anatolia Film Festival and Doing Women's Film and Television History Conference. She received the Platform Award at the 8th Antalya Film Forum Work in Progress Platform (2021).
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Studies in Documentary Film
By Xuanshuo Li Levi Dean Thomas William Whyke School of International Communications, University of Nottingham, Ningbo, People’s Republic of ChinaXuanshuo Li is a Master's Degree student majoring in Film Studies at the University of Amsterdam and recently completed their studies at the University of Nottingham Ningbo China (UNNC), whereby they obtained a degree in International Communications, with Japanese. Their research interests locate in cultural studies and film studies. She has been involved in various professional filmmaking projects, which includes a short film that was supported by an AHRC research grant, as well as a documentary about life at UNNC – a staff-led project. More specifically, Xuanshuo's filmmaking roles encompass First Assistant Director and Editor.Levi Dean is an Assistant Professor at the University of Nottingham Ningbo China (UNNC), School of International Communications, where he also serves as the Director of Audio-Visual Technology. He holds a Practice-Based PhD in Screenwriting Studies and has published in reputable journals such as Creative Industries, New Writing, Media Practice and Education, as well as the Journal of Screenwriting. Recently, with colleagues, he secured an AHRC grant centred on ‘Developing a framework for Chinese short-films with international appeal,’ which comprised of an award-winning short film that he co-produced based on the paradigm.Thomas William Whyke is an Assistant Professor at the University of Nottingham Ningbo China (UNNC), School of International Communications. He is Director of Teaching of the School of International Communications and Faculty of Humanities and Social Sciences EDI (Equity, Diversity, and Inclusion) Officer. His works have appeared in journals such as Journal of Homosexuality, Asian Journal of Women's Studies, Journal of Chinese Sociology, Society and Animals, Sexuality and Culture, Animation, Global Media and China, Feminist Media Studies, Humanities and Social Sciences Communications, Asian Studies, Journal of Screenwriting, Creative Industries Journal, Photography and Culture, Media Practice and Education, and Discourse and Communication. He is currently under contract as an editor for the forthcoming ‘Bloomsbury Handbook to Global Contemporary Documentary’ and his recent book was published with Palgrave Macmillan in December 2023.
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Studies in Documentary Film
By Laura Harris Department of Sociology, Social Policy and Criminology, University of Southampton, Southampton, UKLaura Harris is a cultural sociologist currently working as an Anniversary Fellow at the University of Southampton on a project called: ‘Experimental Filmmaking and the Cultural Sociology of Place’. She has a background in art theory and sociology, and her interests include art and its institutions and visual research methods. She is book reviews editor of Cultural Sociology and convenes the British Sociological Associations Sociology of Art group. Her research has been published in the American Journal of Cultural Sociology, Sociological Research Online and Cultural Sociology. She also writes art journalism for outlets including Art Monthly.
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Studies in Documentary Film
By James Lyons University of Exeter, Exeter, UKJames Lyons is an Associate Professor in Screen Studies at the University of Exeter. He has authored or edited seven books, including Documentary, Performance and Risk (2020), Miami Vice (2010), and Indie TV: Industry Aesthetics and Medium Specificity (2023) (with Yannis Tzioumakis). His interactive documentary The Risktaker’s Survival Guide (2014) won the Ramillas Interactive Award at Sheffield Doc/Fest. He is currently working on a research project about action sports documentaries.
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Studies in Documentary Film
By Peter Bath School of English Literature, Language and Linguistics, Newcastle University, Newcastle upon Tyne, UKPeter Bath is a postgraduate researcher in English Literature at Newcastle University, researching the relationship between capitalism and conspiracy narratives.
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Studies in Documentary Film
By Patricia Aufderheide School of Communication, American University, Washington, DC, USAPatricia Aufderheide is University Professor in the School of Communication, American University, Washington, DC, and author of, among others, Documentary Film: A Very Short Introduction (Oxford University Press, 2007) and Kartemquin Films: Documentaries on the Frontlines of Democracy (University of Chicago Press, 2024).