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Feminist Media Studies
By Linda Pavanello Orianna Calderón-Sandoval a Independent researcher, University of Bologna, Bologna, Italyb Women’s and Gender Studies Institute, University of Granada, Granada, SpainLinda Pavanello is a social worker for the antitrafficking project and advocating for sex workers’ rights at Comitato per i Diritti Civili delle Prostitute, Trieste, Italy. She is a co-author in “Intersectional Rewrites: European Court of Human Rights Judgments Reimagined” (forthcoming). She has a Master’s Degree on Women’s and Gender Studies with a double diploma from Alma Mater Studiorum University of Bologna and University of Granada. Her master thesis is focused on the haptic experience of feminist postpornography.Orianna Calderón-Sandoval is Junior Lecturer in Gender Studies and English Cultures at the University of Granada (UGR). She is also affiliated to the Women’s and Gender Studies Research Institute of UGR. Among her recent publications are “Debating Sexual Consent in the Teen Series The Hockey Girls: Reactions of Instagram Audiences”, co-written with Isabel Villegas-Simón and Pilar Medina-Bravo, Sex Education (2023); and “Comparing gender equality policies in the Swedish and Spanish film industries: Defining the problem beyond the male norm”, co-written with Maria Jansson, European Journal of Women’s Studies (2024).
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Feminist Media Studies
By Máiréad Casey Huston School of Film & Digital Media, University of GalwayMáiréad Casey is a post-doctoral researcher/project manager for the MSCA-actions funded REBPAF project. She is a Lecturer in Film & Television Studies with the Huston School of Film and Digital Media. She teaches Film Theory, Critical Theory, Gender & Sexuality Onscreen, and Television Drama. Her research interests include horror, representations of sexual violence, digital feminist activism, and networked misogyny. She is currently writing a book on demon possession and sexual violence in contemporary American horror cinema.
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Feminist Media Studies
By Anneke Meyer Department of Sociology, Manchester Metropolitan University, Manchester, UKAnneke Meyer is a principal lecturer in sociology at Manchester Metropolitan University. She has published a number of works in the areas of gender, media and sexual violence and is the author of the books The Child at Risk (2007) and with Katie Milestone, Gender and Popular Culture (2021, 2nd ed).
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Feminist Media Studies
By Sakshi Yadav Sushila Shekhawat Department of Humanities and Social Sciences, Birla Institute of Technology and Science, Pilani, IndiaSakshi Yadav is a Doctoral Candidate at Department of Humanities and Social Sciences, BITS Pilani, Pilani Campus, Rajasthan, India. Her area of interest includes transnationalism, film studies, ecocriticism, ecocinema and indigenous studies. http://P20200035@pilani.bits-pilani.ac.in ORCID: 0000-0002-0229-1222Sushila Shekhawat is presently working as a Professor of Communication and English Studies in the Department of Humanities and Social Sciences at BITS, Pilani, Pilani Campus for the last sixteen years. She has done her PhD in Film Studies and has published several research papers in International and National Journals. Her research interest includes Film studies, Indian Writings in English, Business Comm
unication, Technical Writing, Applied Linguistics, Media studies, etc. She is involved in teaching graduate and postgraduate students at BITS Pilani. Email- http://sula@pilani.bits-pilani.ac.in ORCID: 0000-0002-3101-0784
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Feminist Media Studies
By Carys Hill Department of Sociology, University of Warwick, Coventry, UKCarys Hill is a PhD student in the Department of Sociology at the University of Warwick. Her current research explores the effects of entrepreneurialism within feminist groups in the UK, particularly in relation to the use of subscriptions and memberships.
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Feminist Media Studies
By Annalise Baines Hyunjin Seo Darcey Altschwager Matthew Blomberg Bernard Schuster Megha Ramaswamy a Senior Research and Teaching Associate, University of Zurich, Switzerlandb Oscar Stauffer Professor at University of Kansas, Lawrence, KS, USAc Solutions Specialist, Upmetricsd Assistant Professor at Temple University, Japan Campuse School of Medicine, University of Kansas, Lawrence, KS, USAf Professor at University of Washington
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Feminist Media Studies
By Erin Duebel Shanon K. Phelan a Department of Occupational Therapy, Faculty of Rehabilitation Medicine, University of Alberta, Edmonton, Canadab School of Occupational Therapy, Faculty of Health, Dalhousie University, Halifax, CanadaErin Duebel is a PhD candidate in the Faculty of Rehabilitation Medicine, Rehabilitation Science program, at the University of Alberta in Edmonton, Alberta, Canada. Her research focusses on the intersections of health, humanities, and critical social theory.Shanon Phelan is an associate professor in the Faculty of Health, School of Occupational Therapy, at Dalhousie University, in Halifax, Nova Scotia, Canada and an adjunct associate professor in the Faculty of Rehabilitation Medicine, Department of Occupational Therapy, University of Alberta. She is interested in constructions of child culture, disabled childhoods, and family life.
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Historical Journal of Film, Radio and Television
By V.P. Shijith Deepak John Mathew V.P. Shijith, a PhD Scholar in the Department of Design at the Indian Institute of Technology (IIT), Hyderabad, India. He has already published five papers in various reputed academic journals including Sociological Bulletin by Sage Publications. Shijith directed a documentary film titled ‘Nakusa: ‘Unwanted’ is My Name’, film was also officially selected for screening in reputed film festivals like Mumbai International Film Festival (MIFF), 2018; International Documentary and Short Film Festival of Kerala (IDSFK), 2018.Deepak John Mathew, a Professor, Department of Design at Indian Institute of Technology (IIT), Hyderabad, and India. He is principal Design Investigator at Design Innovation Centre at IIT Hyderabad. He has been instrumental in designing and developing the dual postgraduate programme in Photography Design at National Institute of Design (NID). He has written a book titled, Principles of Design through Photography. He is a regular contributor and columnist to magazines like Indian Architecture and Builder and Better Photography. Deepak has curated a number of exhibitions at NID, including those featuring the works of the famed photographers such as Henri Cartier-Bresson, Anne Maniglier, and Raghu Rai.
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Historical Journal of Film, Radio and Television
By Hugh Pattenden Hugh Pattenden is a historian of Rhodesia/Zimbabwe. He is a Visiting Academic at the Centre for Imperial and Postcolonial Studies, University of Southampton, an Associate Fellow of the Institute of Historical Research, University of London, and a Fellow of the Royal Historical Society. His research has appeared in various journals, including the International History Review, the International Journal of African Historical Studies, and the Journal of Imperial and Commonwealth History.
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Journal of Popular Film and Television
By Jing Zhao Chao Guo a Department of Chinese, University of International Business and Economics, Beijing, Chinab Department of Chinese, Sun Yat-sen University—Zhuhai Campus, Zhuhai, ChinaJing Zhao is an associate professor at University of International Business and Economics, China. Her research interests include cultural studies and modern and contemporary Chinese literature. Her articles can be seen in journals such as Social Sciences of Beijing and Modern Chinese Culture and Literature.Chao Guo is an associate professor at Sun Yat-sen University, China. He is the author of Chinese Traditional Theatre and Male Dan: Social Power, Cultural Change, and Gender Relations (Routledge, 2022), and publishes extensively in Chinese theater, performance, and gender politics. His works can be found in journals such as Asian Studies Review, Asian Theatre Journal, Cambridge Opera Journal, Critical Asian Studies, Journal of Gender Studies, and Religions.
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Journal of Popular Film and Television
By Kathryn Burrell University of Massachusetts AmherstKathryn Burrell is a PhD student in the Department of Communication at the University of Massachusetts Amherst specializing in film studies. She holds an MA in communication with an emphasis on documentary studies from Northern Arizona University. Her work currently focuses on questions of cinematic genre, audiences, and popular film.
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Journal of Popular Film and Television
By Antonio Sanna University of SassariAntonio Sanna (PhD, University of Westminster, 2008) is the coeditor of the Lexington book series Critical Companion to Contemporary Directors and the editor of the volumes Pirates in History and Popular Culture, Critical Essays to Twin Peaks: The Return, and Arthur Machen: Critical Essays.
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Journal of Popular Film and Television
By Ciara Moloney Drama and Theatre Studies, Mary Immaculate College, University of Limerick, Limerick, IrelandCiara Moloney is a PhD candidate at Mary Immaculate College, University of Limerick, supported by the Irish Research Council. Her research focuses on interculturalism and diaspora in Martin McDonagh’s work for stage and screen. She recently published an article on Martin Scorsese’s gangster films in the Journal of Film and Video, and has a forthcoming article on Alison Bechdel’s memoirs in the Journal of Modern Literature. Her film and television criticism has appeared in publications including Cineaste, Fangoria, Paste, and Current Affairs.
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Media Asia
By Katrina Angelie Sukardi Deborah N. Simorangkir Swiss German University, Banten, Tangerang, IndonesiaKatrina Angelie Sukardi is a graduate of Swiss German University with a Bachelor’s degree in Global Strategic Communications.Deborah N. Simorangkir is an Associate Professor at the Faculty of Business and Communication, Swiss German University, Indonesia.
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Media Asia
By Sadia Jamil Gifty Appiah-Adjei a School of International Communications, The University of Nottingham Ningbo, Ningbo, Chinab University of Education, Winneba, GhanaSadia Jamil is an Assistant Professor and Director of Research at the School of International Communication at the University of Nottingham Ningbo, China.Gifty Appiah-Adjei is a Senior Lecturer in media and communications at the University of Education, Winneba, Ghana.
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Media Asia
By Gülüm Şener New Media Department, 15 November Cyprus University, Nicosia, Turkish Republic of Northern CyprusGülüm Şener is an associate professor of the New Media Department, 15 November Cyprus University, Nicosia, Turkish Republic of Northern Cyprus. Her research interests include digital activism, video activism, social media, and digital gender-based violence.
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Media Asia
By Abhijit Maity Jolly Jain a Department of English, Lady Shri Ram College for Women, Delhi University, New Delhi, Indiab School of Mass Communication, JECRC University, Jaipur, IndiaAbhijit Maity is an Assistant Professor of English at Lady Shri Ram College for Women, The University of Delhi, India. His research interests include gender and sexuality studies, postcolonial literature, popular culture, as well as identity politics in South Asian Literature.Jolly Jain is an Assistant Professor of Mass Communication at the School of Mass Communication, JECRC University, India. Her areas of expertise include social media communications, event management, web journalism, crisis communication, public relations, and corporate communications.
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Media Asia
By Kakulee Akhter Md. Sayeed Al-Zaman Department of Journalism and Media Studies, Jahangirnagar University, Dhaka, BangladeshKakulee Akhter is a graduate student in the Department of Journalism and Media Studies at Jahangirnagar University, Dhaka, Bangladesh.Md. Sayeed Al-Zaman is an Assistant Professor in the Department of Journalism and Media Studies at Jahangirnagar University, Dhaka, Bangladesh. His research focuses on the intersection between the internet and social issues, digital information, and online behavior.
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Media Asia
By Charlène Clonts Department of Languages and Literatures (French Studies), Kyushu University, Fukuoka, JapanCharlène Clonts is an Associate Professor at the Faculty of Humanities, Kyushu University, Fukuoka, Japan. Her research interests include poetics, intermediality (poetry, arts and performance), and spaces and mediations in the twentieth to twenty-first century French and Francophone studies.
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Media Asia
By Indumathi Somashekar Department of Media Studies, Christ University, Bengaluru, IndiaIndumathi Somashekar is an Assistant Professor at the Department of Media Studies, Christ University, India. Her research areas include gender, media culture, Hollywood cinema, Indian cinema, Korean popular culture, and feminism and gender issues.
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Media Asia
By Pragyaa Chandel School of Communications, Dublin City University (Ireland), Dublin, IrelandPragyaa Chandel is an experienced media professional with several years of experience in the broadcast and communication industry in India. Currently a final-year doctoral research scholar at Dublin City University (Ireland), her dissertation investigates online harassment of women journalists in India, and her research interests focus on media/journalism; and gender & sexuality studies.
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Media History
By Stéphanie Prévost Stéphanie Prévost, LARCA (CNRS-UMR 8225), Université Paris Cité, Institut Universitaire de France; E-mail: stephprevostsp@gmail.com; stephanie.prevost@univ-paris-diderot.fr
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Media History
By María José Ruiz Acosta María José Ruiz Acosta, Periodismo II, Facultad de Comunicación, Universidad de Sevilla, Avenida Américo Vespucio, s/n Isla de la Cartuja, Sevilla 41092, Spain. E-mail mjruiz@us.es
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Media History
By Tricia Close-Koenig Lukas Herde Alex Mold Philipp Stiasny Tricia Close-Koenig (author to whom correspondence should be addressed), SAGE UMR7363, Université de Strasbourg, 4 rue Kirschleger, 67085 Strasbourg, France. E-mail: tkoenig@unistra.frLukas Herde, SAGE UMR7363, Université de Strasbourg, 5 allée du Général Rouvillois, 67083 Strasbourg, France. E-mail: lukasfherde@gmail.comAlex Mold, London School of Hygiene and Tropical Medicine, Keppel Street, London WC1E 7HT, UK. E-mail: Alex.Mold@lshtm.ac.ukPhilipp Stiasny, Deutsches Historisches Museum, Unter den Linden 2, Berlin 10117, Germany. E-mail: p.stiasny@gmx.de
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Media History
By Laura Niebling Laura Niebling, Lehrstuhl für Medienwissenschaft, Universität Regensburg, Universitätsstraße 31, 93350 Regensburg, Germany. Tel: +49 941 943-4322; Fax: +49 941 943-4912
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Media History
By Andrea Lombardinilo Andrea Lombardinilo, Department of Legal and Social Sciences, Gabriele d’Annunzio University, Chieti-Pescara, via dei Vestini 31, Chieti, 66100, Italy.
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New Review of Film and Television Studies
By Adin Walker Theatre and Performance Studies, Stanford University, Stanford, CA, USAAdin Walker is a PhD candidate in Theater and Performance Studies at Stanford and received a B.A. in English from Princeton. Walker’s recently published articles include ‘Lulu “Works the Trapeze”: Producing the Modern, Western Sex/Gender System in Nineteenth-Century Aerial Arts’ for the 10-year anniversary issue of TSQ: Transgender Studies Quarterly, and “Shaping Life, Shaping Work: Julio Torres’s Queer Comic Labor” for a special issue on “Comedy and Embodiment” of Theatre Topics.
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New Review of Film and Television Studies
By Daniel Smith History of Art and Film, University of Leicester College of Social Sciences Arts and Humanities, UK
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Quarterly Review of Film and Video
By Catalina Gayà Morlà Carme Ferré-Pavia Dr. Catalina Gayà Morlà is Serra Hunter lecturer in the Department of Media, Communication and Culture at the Autonomous University of Barcelona (Spain). She is a researcher on patriarchal representations in different groups, and a member of the Comress-IncomUAB, on Communication and Social Responsibility.Dr. Carme Ferré-Pavia is a permanent professor in the Department of Media, Communication and Culture at the Autonomous University of Barcelona. She is director of the Comress-IncomUAB group and author of a dozen monographs and a hundred academic articles. Her research focuses on historical issues, media representations and political communication.
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Quarterly Review of Film and Video
By Renée Winter Renée Winter is a historian in the Department of Contemporary History at the University of Vienna and principal investigator of the project ‘Video as Technology of the Self: Self-confrontation, Self-empowerment and Auto/biographical Practices’ (Austrian Science Fund, Project number V633).
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Quarterly Review of Film and Video
By Cain Miller Cain Miller is a PhD candidate in Cinema & Media Studies at University of Washington. His research interests include gender and sexuality studies, genre studies (horror and science fiction), exploitation cinema, and cult cinema. Prior to pursuing his PhD, Miller was a lecturer in film studies at Texas A&M University.
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Quarterly Review of Film and Video
By Dustin Ardine Stephen D. Perry Dustin Ardine (M.A., Thomas Edison State University) is an actor, writer, and PhD candidate at Regent University studying Communications and the Arts with a focus in Film and Media Studies. His research interests include rhetorrectional situational analysis, media ecology, entertainment education, and media effects.Stephen D. Perry (Ph.D. University of Alabama, 1995) serves as professor and chair of the Department of Communication Studies at Regent University. He is the editor of Communication Research Replication and the executive editor of Artifact Analysis. His research interests include better journalism, broadcast history, peace journalism, and media effects.
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Quarterly Review of Film and Video
By Luke Malone Luke Malone is a third-year doctoral student in film theory at Dundalk Institute of Technology, working under the supervision of Dr. Daithí Kearney and Dr. Kelly McErlean. His thesis focuses on how Irish animation studio Cartoon Saloon has reworked elements of Irish mythology and folklore to tackle themes of contemporary resonance, specifically otherness. He is particularly interested in how the trilogy and wider Irish cinema engage with folkloric tropes to depict women, the clash between communities, and humanity’s relationship with nature. He is a filmmaker and video editor, having assisted with community film projects, professional shoots, and indie documentaries.
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Quarterly Review of Film and Video
By Anindita Ghosal Anindita Ghosal is a PhD candidate at the Department of Humanities and Social Sciences, National Institute of Technology Durgapur, India. Her research interests include graphic narratives, eco-fictions, posthumanism, and multispecies entanglement. She has published scholarly articles in Scopus-indexed journals like eTropic and Asiatic and has also presented papers at national and international conferences.
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Quarterly Review of Film and Video
By Anu Kuriakose Anu Kuriakose is an Assistant Professor at Department of HSS, NIT Tiruchirappalli, Tamil Nadu, India.
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Studies in Documentary Film
By Boris Ružić Department of Cultural Studies, Faculty of Humanities and Social Sciences, University of Rijeka, Rijeka, CroatiaBoris Ružić, PhD, is an assistant professor at the Department of Cultural Studies, University of Rijeka, Croatia. He teaches four courses engaged with film studies and visual culture. His interests lie at the intersection of politics of emancipation, (amateur) moving image, migrations, and digital technologies. Publishes scientific articles in books and journals. Co-authored a book regarding film and media analysis. Coordinates three international projects in the domains of humanities, film and visual culture, and memory studies.
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Studies in Documentary Film
By Danai Mikelli School of Arts, Oxford Brookes University, Oxford, UKDr Danai Mikelli is a Senior Lecturer in Digital Media Production at Oxford Brookes University. Her current research focuses on the impact of immersive technologies on documentary practice and community engagement.
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Studies in Documentary Film
By Álvaro Martín Sanz Departamento de Comunicación, Universidad Carlos III de Madrid, Getafe, SpainÁlvaro Martín Sanz holds a PhD in Media Research from the Universidad Carlos III de Madrid with an extraordinary award. He also holds a degree in philosophy from the University of Salamanca and six master’s degrees related to film, contemporary culture and philosophy. He has been a Culturex scholarship holder of the Ministry of Culture at the Spanish Permanent Delegation to UNESCO and has made research stays at the Sapienza University in Rome, the Sorbonne University in Paris and the University of Buenos Aires. Specialized in cinematography and memory studies, he has published more than 40 articles in journals such as Hispanic Research Journal, Brumal, Journal of Spanish Cultural Studies, IC Journal, Confluencia or Kamchatka. As a filmmaker, he has produced several short films and documentaries that have been selected in more than four hundred festivals and have won more than sixty awards, including Best Comedy Short Film at the San Diego Comic-Con.