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Journal of Radio & Audio Media
By Fabíola Ortiz dos Santos Fabíola Ortiz dos Santos is an Research associate at Duisburg-Essen University and PhD fellow at Erich Brost Institute for International Journalism (TU Dortmund), Germany. MA Erasmus Mundus Journalism for Media and Globalisation, Aarhus University (Denmark)/Swansea University (United Kingdom). BA Journalism (Federal University of Rio de Janeiro, Brazil) and BA History (State University of Rio de Janeiro, Brazil).
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Journal of Radio & Audio Media
By Johan Malmstedt Johan Malmstedt is a doctoral student in media and communication studies with a focus on the Digital Humanities at the Department of Culture and Media Studies, affiliated with the interdisciplinary research infrastructure Humlab, as well as metaLAB @ Harvard. He has a background in Intellectual History and computational methods and is interested in sound media and the history of radio.
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Journal of Radio & Audio Media
By Francisco Tagle Francisco Tagle, Associate Professor at the Universidad de los Andes, Chile. PhD in Latin American Studies from the Universidad de Salamanca, Spain. His research areas are the study of media framing, political communication and media systems in Latin America. Researcher at the Núcleo Milenio para el Estudio de la Política, Opinión Pública y Medios en Chile (MEPOP) NCS2024_007.
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Journal of Radio & Audio Media
By Juska Wendland Juska Wendland is a radio professional at Finnish National Broadcasting Company Yle and a new media lecturer at the Omnia vocational school in Espoo, Finland. His research interests and creative work focus on audience participation and new interactive methods in podcast and audio production.
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Journal of Radio & Audio Media
By Valentina Baú Michael Omondi Owiso Valentina Baú is Co-Director of the Humanitarian and Development Research Initiative (HADRI) at Western Sydney University. She conducts research on the application of Communication for Development (C4D) in Peacebuilding, documenting and evaluating C4D approaches that employ different media and communication channels to contribute to social change and sustainable peace in the aftermath of violence. Valentina is Chief Investigator on the Australia Research Council Fellowship Development communication, media and peace in protracted displacement, investigating the use of C4D and CwC (Communicating with Communities) interventions aimed at promoting peace and social cohesion among young people in contexts of protracted displacement. She has worked in different African countries, Asia, and the Middle East, collaborating with international NGOs, UN agencies and the Italian Development Cooperation, both in a research and communication capacity. Her experience involves the implementation of both research and media projects with victims and perpetrators of conflict, displaced people, refugees and people living in extreme poverty.Michael Omondi Owiso is the dean in the School of Development and Strategic Studies and Director, Odera Akang’o Campus at Maseno University-Kenya. He also holds a senior visiting research fellow position at Kings College, London. He has taught subjects in the fields of political science, international relations and development studies at various universities in Kenya and abroad. He was previously in the humanitarian sector for over 17 years during which he made contributions to the peacebuilding field. During this time, he also worked closely with displacement-affected communities in various settings including camps and urban centers in Kenya, Uganda and Tanzania. He has conceptual and practical experience in dealing with conflict, peace, security and development issues in the Eastern and Horn of Africa region. He is a champion of participatory methods to development and education. He is also a consultant in the above fields.
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Journal of Radio & Audio Media
By Lindsey A. Sherrill Department of Management & Marketing,Sanders College of Business and Technology, University of North Alabama
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Journal of Radio & Audio Media
By Mardi Delport Mardi Delport is a senior lecturer in the Department of Communication Sciences at the Central University of Technology, Free State (CUT) in South Africa. She lectures various media-related modules for under- and postgraduate students including Broadcast Journalism, Media Studies, Publishing, and Creative Writing for the Media. Her radio broadcasting career extends over 30 years, and she has presented programs on community and commercial stations in South Africa. She also does freelance copywriting and voice-over work for various commercial radio stations.
Source:
Sounds Studies
By Min Zou School of Foreign Studies, Xi’an Jiaotong University, Xi’an, ChinaMin Zou is a lecturer, scholar and poet based in Xi’an, China. She teaches American literature at Xi’an Jiaotong University’s School of Foreign Languages. She completed her PhD at the University of Leeds, studying queer aesthetics in David Henry Hwang’s plays.
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Sounds Studies
By Noha Gamal Said Mahmoud Elghawaby a Department of Urban Design and Planning, Faculty of Engineering, Ain Shams University, Cairo, Egyptb CNRS, ENSAG, AAU-CRESSON, École Nationale Supérieure d’Architecture de Grenoble, Université Grenoble Alpes, Grenoble, Francec Department of Architecture and Urban Planning, Faculty of Engineering, Suez Canal University, Ismailia, EgyptNoha Gamal Said is a professor of architecture and urban design at Ain Shams University, Department of Architecture and urban Design – Cairo, and a researcher at Cresson Research Center - National School of Architecture of Grenoble where she defended her PhD thesis in 2014. Her research tackles the notion of “ambiances” which calls for the sensory and sentient experience of space. She is particularly interested in the sound dimension, the temporal aspect and the evolving character of the city. Some of her research deals with contemporary urban issues such as sustainability, densification, memory and heritage seen from the angle of the daily sensory experience of the city. She is also interested in the material and immaterial heritage of cities, and urban and social identity.Mahmoud Elghawaby is a lecturer at the Department of Architecture and Urban Planning, Faculty of Engineering - Suez Canal University. He obtained his master’s degree from Ain Shams University in 2006 with a thesis about the future of smart architecture in Egypt in which he evaluates smart/intelligent buildings from an environmental and sustainable point of view. In 2013 he received his PhD from the Marseille School of Architecture, France. The thesis deals with the thermal comfort inside buildings located in hot zones through using ideas inspired by the concept of “biomimicry.” His research and teaching fields focus on themes of thermal ambiances, sustainable solutions related to advanced tools and BIM applications.
Source:
Sounds Studies
By Kristen Graves Faculty of Music, University of Toronto, Toronto, CanadaKristen Graves is a course instructor and Ph.D. candidate in ethnomusicology in the Faculty of Music at the University of Toronto. She specialises in Latin American music and sound studies, and her research focuses on everyday listening and sound-making practices, with particular attention to how these practices intersect with issues of Indigeneity, human rights, and acoustic ecology. Supported by the Connaught International Scholarship, Kristen’s research in this review examines the 42-year labour history of a workers’ union in the garbage dump of Oaxaca, Mexico, highlighting the community’s virtuosic sonic knowledge that they developed across generations in response to environmental and social challenges. An internationally touring folk singer/songwriter, Kristen has performed with legendary artists such as Pete Seeger, Harry Belafonte, and Peter Yarrow. She is actively involved with Simply Smiles, a non-profit organisation supporting Indigenous children and families.
Source:
Sounds Studies
By Julien De Muynke Julien Ferrando Brian F. G. Katz a Sorbonne Université, CNRS, Institut Jean Le Rond d’Alembert, Paris, Franceb Multimedia Technologies, Eurecat, Technology Center of Catalonia, Barcelona, Spainc Aix-Marseille Université, CNRS, Institut D’Ethnologie et d’Anthropologie Sociale – (IDEAS), Aix-en-Provence, FranceJulien De Muynke is a Ph.D. candidate at Sorbonne Université, Paris, and a researcher in spatial audio at Eurecat, Technology Centre of Catalonia, Barcelona. His doctoral research focuses on heritage room acoustics and historic soundscapes reconstruction, with applications in multidisciplinary studies and audio-augmented visits to heritage sites. His current work explores integrating historically informed soundscapes with lively storytelling in 3DoF or 6DoF virtual environments tailored to heritage sites, enhancing immersion and visitor engagement.Julien Ferrando is an Associate Professor specialising in early music and new technologies at Aix-Marseille University. As a member of the IDEAS research CNRS unit, his work focuses on the reinterpretation of medieval music in the modern era through new technologies, including archaeoacoustics. He leads the HeSoAN project, reconstructing the papal chapel of Avignon. He also studies the history of sound in early talkies (Marcel Pagnol archives) and film music (1930–1950). Alongside his research, Julien Ferrando is a musician, performing on historical keyboard instruments like the portative organ and clavicytherium.Brian F. G. Katz a CNRS Research Director at Sorbonne Université, Institut Jean Le Rond d’Alembert, in the group Lutheries - Acoustics - Music. His fields of interest include spatial 3D audio rendering and perception, room acoustics, HCI, and virtual reality. With a background in physics and philosophy, he obtained his Ph.D. in acoustics from Penn State (1998) and his HDR in engineering sciences from UMPC (2011). Before joining CNRS, he worked for various acoustic consulting firms, including Artec Consultants Inc., ARUP & Partners, and Kahle Acoustics. He has also worked at the Laboratoire d’Acoustique Musicale (UPMC), IRCAM, and LIMSI-CNRS.
Source:
Sounds Studies
By Anna Navrotskaya Program of French, Hillsdale CollegeAnna Navrotskaya is an Associate Professor of French at Hillsdale College. Her research interests include Performance, Theater, and Film Studies. In her articles, she analyses creating historical icons through film (Eisenstein’s Aleksander Nevsky), performative elements in everyday life and creative relationship between silent film and experimental theatre (Films Albatros and Théâtre du Soleil). She has published prose and poetry translations from French and Russian into English.
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Sounds Studies
By David Copenhafer Bard Early Colleges, Brooklyn, NYDavid Copenhafer is a writer and musician, affiliated with the network of Bard Early Colleges. He has written about the figuration of sound and of music in such authors as Kafka, Melville and Ralph Ellison. And he has essays about music and sound in film, to be found at Camera Obscura and at Sound Studies. Don’t Call it the Moon, his first album of songs, can be heard at davidcopenhafer.bandcamp.com. He is currently writing his first book, The Literary Acoustic: Figures of Music and of Sound in Kafka, Joyce, Proust and Ellison.