History Journals

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Cold War History Cultural & Social History Diplomatic History
  • Permission to Screen? American Sexual Hygiene Pictures, British Censorship and Local Film Culture 1919–1950
    Source: Cultural and Social History By Sian Barber Department of Arts, English and Languages, Queen’s University Belfast, Belfast, UKSian Barber is a Reader in Film Studies at Queen’s University Belfast. Her work focuses on British film history, particularly censorship, controversy and cinema. Key publications include Censoring the 1970s: The BBFC and the Decade that Taste Forgot, (Cambridge Scholars Press, 2011), Capital, Culture and Creativity: The British Film Industry in the 1970s (Palgrave Macmillan, 2013) and Using Film as a Source (Manchester University Press, 2015). Her fourth monograph will be published by Manchester University Press in April 2025 as Beyond the BBFC: Local and regional film censorship in the UK.
  • Military Piping in British Malaya: Cultural Transfer and Colonial Defense Traditions, 1840–1971
    Source: Cultural and Social History By Andrew Yu Ka Chun Lin a Literatures, Languages & Cultures, The University of Edinburgh, United Kingdomb School of Professional and Continuing Education, The University of Hong Kong, Hong Kong, ChinaAndrew Yu obtained his PhD from the University of Edinburgh. He is an ethnomusicologist interested in the history and culture of former British colonies in the Far East. He also holds a Fellowship Diploma of the London College of Music.Ka Chun Li completed a PhD on wind band history and is currently teaching at the University of Hong Kong. With extensive experience in the wind music industry, he is also an examiner for the Hong Kong Arts Development Council, approving funding for music activities.
  • ‘One of us’: Class and Conscientious Objection in Britain During the Second World War
    Source: Cultural and Social History By Linsey Robb Humanities - History, Northumbria University, Newcastle Upon Tyne, UKLinsey Robb is Associate Professor in Modern British History at Northumbria University. Her work focuses on cultural, social and gendered histories of the Second World War. Key publications include Men At Work (2015), Men in Reserve (2017), Men, Masculinities and Male Culture in the Second World War (2018) and British Humour and the Second World War (2023). She is currently working on a cultural and social history of conscientious objection in Britain during the Second World War, research which is was funded by an AHRC Research, Development and Engagement Fellowship.
  • Expulsion, Incarceration, Incapacitation. Policing Drinking Women in Poland and Britain in the Second Half of the 19th Century
    Source: Cultural and Social History By Dorota Dias-Lewandowska Craig Stafford a Institute of Archaeology and Ethnology, Polish Academy of Sciences, Warsaw, Polandb Department of History, University of Liverpool, Liverpool, UKDorota Dias-Lewandowska, anthropologist and historian, holds a PhD from the Nicolaus Copernicus University (Poland) and University Bordeaux Montaigne (France), where she examined the cultural history of French wine in early modern Poland. Co-editor of the series “Studia z historii wina w Polsce” (Studies in the History of Wine in Poland) and co-lead of the Drinking Studies Network „Women and Alcohol” research cluster. Currently she is Principal investigator on the „Between the drunken ‘mother of destruction’ and the sober ‘angel of the house’. Hidden representations of women’s drinking in Polish and British public discourses in the second half of the 19th century” and “Alcohol, Sobriety and Drunkenness: Discourses on the Boundaries of Drinking in the 19th century Post-Partition Poland” projects where she leads an interdisciplinary research team.Craig Stafford gained his PhD from University of Liverpool in 2019, where he studied the policing and sentencing of women for drunkenness in Victorian Lancashire. He is currently a Lecturer in History at University of Liverpool and has also taught at several universities in the north-west of England. He is co-investigator on the “Between the drunken ‘mother of destruction’ and the sober ‘angel of the house’. Hidden representations of women’s drinking in Polish and British public discourses in the second half of the 19th century” research project. His research interests concern crime and punishment in nineteenth century Britain, particularly relating to female offending.
  • Home Visiting, Domestic Observation, and the Middle-Class Gaze in Charles Dickens’s Dombey and Son
    Source: Cultural and Social History By Houliang Chen Department of English, Huazhong University of Science and Technology, Wuhan, ChinaHouliang Chen is a Professor of English in the School of Foreign Languages at Huazhong University of Science and Technology. His research focuses on gender issues and home culture in Victorian literature, particularly the works of Charles Dickens, William M. Thackeray, and Joseph Conrad. His publications have appeared in Nineteenth-Century Contexts, Dickens Quarterly, Dickensian, Textual Practice, English Studies, Home Cultures, Religion & Literature, Anglia, Partial Answers, among others.
  • “Shepherdesses in the Bush!”: Representations of Women’s Shepherding Labour, from Britain to the Australian Colonies in the 19th Century
    Source: Cultural and Social History By Emma Robertson Nicola Verdon Jennifer Jones 1 La Trobe University, Melbourne, Australia2 Sheffield Hallam University, Sheffield, UKEmma Robertson is Associate Professor in History, La Trobe University, Australia. She researches gendered histories of labour and culture in Britain and the British empire. She is the author of Chocolate, Women and Empire (2009) and has published on workplace cultures in Britain and Australia, as well as on the BBC World Service.Nicola Verdon (1970-2024) was Professor of Modern British History at Sheffield Hallam University, UK. She researched the British countryside since 1800 and was the author of two major books and numerous articles and book chapters on rural gender and labour.Jennifer Jones is Associate Professor in Interdisciplinary Studies at La Trobe University, Albury-Wodonga campus, Australia. She is a non-Indigenous woman who was raised on Wiradjuri country in southern New South Wales. Jennifer’s research interests include Indigenous Australian history, rural and religious history, and histories of childhood and education.
  • Behind the Seams: Women, Fashion and Work in 19th-Century France
    Source: Cultural and Social History By Noelle Plack Independent ScholarNoelle Plack is an independent scholar specialising in the social history of eighteenth and nineteenth century France. She is currently writing a book on wine and the French Revolution.
  • Atlantic Voyages: The East India Company and the British Route to the East in the Age of Sail
    Source: Cultural and Social History By Richard Blakemore University of Reading, UKRichard Blakemore is Associate Professor of Social and Maritime History at the University of Reading. He is the author of Enemies of All: The Rise and Fall of the Pirates, co-author of The British Civil Wars at Sea: 1639–1653, and co-editor of Law, Labour, and Empire: Comparative Perspectives on Seafarers, 1500–1800 and The Maritime World of Early Modern Britain.

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Feminist Media Histories Film History History: Reviews

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The Historian (OAH) J of American History J of Interdisciplinary History

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J of Cold War Studies J of Military History J of Social History

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J of War & Culture Studies Media History Radical History Review
  • Cold War Visual Legacies
    Source: Journal of War & Culture Studies By Thy Phu Erina Duganne Dat Nguyen Kylie Thomas a Department of Arts, Culture and Media, University of Toronto, Toronto, Canadab School of Art and Design, Texas State University, San Marcos, TX, USAc NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam, the Netherlandsd Radical Humanities Laboratory and School of History, University College Cork, Cork, Ireland
  • Cold War Photographic Diplomacy: Darren Newbury in Conversation with Kylie Thomas
    Source: Journal of War & Culture Studies By Kylie Thomas Darren Newbury a University College Cork, Irelandb NIOD Institute for War, Holocaust and Genocide Studies, the Netherlandsc College of Arts and Humanities, University of Brighton, UKKylie Thomas, Senior Lecturer, University College Cork, Ireland, and Guest Researcher, NIOD Institute for War, Holocaust and Genocide Studies, the Netherlands.Darren Newbury, Professor of Photographic History and Director of Postgraduate Studies in the College of Arts and Humanities, University of Brighton, UK.
  • The Politics of Salon Photography: The Ideological Function of East Asian Photography in the Cold War Era
    Source: Journal of War & Culture Studies By Jeehey Kim Art History Program, School of Art, University of Arizona, USAJeehey Kim is an assistant professor in the art history programme at the School of Art, University of Arizona. She has published on Korean photography, including her first book, Photography and Korea, and writes about vernacular photographic practices, documentary films, and visual culture in relation to the Cold War and gender politics in East Asia.
  • Military Farewells: The Legacies of the Soviet-Era Dembel’ Album
    Source: Journal of War & Culture Studies By Oksana Sarkisova Olga Shevchenko Maria Gourieva 1 OSA Archivum, Budapest, Hungary2 Williams College, USA3 Independent ResearcherOksana Sarkisova is a Research Fellow at Vera and Donald Blinken OSA Archivum, Budapest. Email: sarkisovao@ceu.eduOlga Shevchenko is a Paul H. Hunn '55 Professor in Social Studies at the Department of Anthropology and Sociology at Williams College. Email: oshevche@williams.eduMaria Gourieva is an Independent Researcher residing in Russia who has decided to remain anonymous for security reasons. Correspondence to: Maria Gourieva, Independent Researcher. Email: maria.gourieva@gmail.com
  • Cold War, the Chinese State Photo Agency, and the Socialist Network of Affective News Photo
    Source: Journal of War & Culture Studies By Yi Gu Department of Arts, Culture & Media, University of Toronto, Toronto, ON, CanadaYi GU is an associate professor at University of Toronto. She is a scholar of modern and contemporary art and visual culture, with a focus on Asia especially China. Her research interests include cold war visual culture and post-socialist art, comparative media studies, Chinese photography history and contemporary photography in Asia, mass art and amateurism, and visual methodologies across disciplines. She is the author of Chinese Ways of Seeing and Open-Air Painting (Harvard University Press Asia Center, 2020) and currently writing a book on data visualization and Chinese rural reforms.
  • Thalassopoetics and War and Culture Studies: The Case of Jules Verne
    Source: Journal of War & Culture Studies By Isabelle de Vendeuvre Centre de Recherche sur les Relations entre Littérature, Philosophie et Morale, ENS-PSL, Paris, FranceIsabelle de Vendeuvre is a researcher in comparative literature at ENS-PSL University in Paris and has worked on satire and naivety in French, English, American, Portuguese and Brazilian literature. Her current work is on thalassopoetics, a notion she has coined and presented in several conferences, including the Congress of the International Comparative Literature Association (ICLA) and the Congress of the Société française de Littérature générale et comparée (SFLGC).
  • The Iraq War at 20: Anniversary Journalism, British Cultural Memory, and the Politics of Closure
    Source: Journal of War & Culture Studies By Catriona Pennell Chris Kempshall Gabriel Kupper 1 University of Exeter, Exeter, UK2 Hertie School, Berlin, GermanyCatriona Pennell is a Professor of Modern History and Memory Studies at the University of Exeter, Cornwall Campus. She has published widely of the experience and commemoration of war and empire, and on cultural historical approaches to the study of modern conflict.Dr. Chris Kempshall is a public historian who specialises in transnational experiences of allied warfare and modern media representations of history. He is an Honorary Senior Research Fellow at the University of Exeter, Cornwall Campus.Gabriel Kupper is an international affairs student at the Hertie School of Governance specialising in international security. He received a bachelor’s degree in history and international relations from the University of Exeter, Cornwall Campus. Email: gabrielkupper01@gmail.com.
  • ‘Sonar, Conn. Report all Contacts’: The Sonic Mediation of War in Submarine Literature
    Source: Journal of War & Culture Studies By Lieven Raymaekers Literary and Cultural Studies, KU Leuven, Leuven, BelgiumLieven Raymaekers is a PhD candidate in Literary and Cultural Studies at KU Leuven, Belgium. In his research project, he focuses on the medial, myth-critical, and socio-political dimensions of postwar German and Anglophone submarine novels and movies. He has co-edited a thematic cluster of the online-journal COLLATERAL on the link between postwar cultural manifestations of the submarine and social imaginaries (Exploring the Submarine Imaginary. Cluster 32).

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strong>Social History 20th C British History War in History

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