Source:
Journal of Radio & Audio Media
By Lindsey A. Sherrill Department of Management & Marketing,Sanders College of Business and Technology, University of North Alabama
Source:
Journal of Radio & Audio Media
By Mardi Delport Mardi Delport is a senior lecturer in the Department of Communication Sciences at the Central University of Technology, Free State (CUT) in South Africa. She lectures various media-related modules for under- and postgraduate students including Broadcast Journalism, Media Studies, Publishing, and Creative Writing for the Media. Her radio broadcasting career extends over 30 years, and she has presented programs on community and commercial stations in South Africa. She also does freelance copywriting and voice-over work for various commercial radio stations.
Source:
Journal of Radio & Audio Media
By Karl T. Maloney Yorganci Leslie McMurtry Karl Turgut Maloney Yorganci completed his PhD at the School of Arts, Media and Creative Technology at the University of Salford. His major research interests lie in the areas of podcasting, parasocial relationships and authenticity. He has co-authored an article for the Worldwide Hospitality and Tourism Themes journal, as well as, a book chapter for Psychology of Democracy: Of the People, By the People, For the People.Leslie Grace McMurtry is a Senior Lecturer in Radio Studies at the University of Salford. Her monograph, Revolution in the Echo Chamber: Audio Drama’s Past, Present, and Future, was published in 2019. She has published on radio and podcasting in numerous edited collections such as The Oxford Handbook of Radio and Podcasting and The Routledge Companion to Radio and Podcast Studies and in journals such as The Journal of Adaptation in Film and Performance.
Source:
Journal of Radio & Audio Media
By Zakia Kalam Zakia Kalam is currently employed as an Assistant Professor of English at Chakdaha College, affiliated to the University of Kalyani, West Bengal. She has acquired both her Master’s and the M.Phil. in English Literature from the University of Calcutta. Her M.Phil. thesis attempted a Marxist analysis of memory with three memory plays from different socio-cultural contexts. She is currently a doctoral scholar at the Presidency University, Kolkata. Her research enquires into the cultural history of the Tawaifs, the Indian courtesans, and the political erasure of their community in the context of twentieth-century nationalism.
Source:
Journal of Radio & Audio Media
By Tony R. DeMars Tony R. DeMars is Professor in the Department of Communication and Media at Lamar University and past president of the Broadcast Education Association. His most recent book is Narratives of Storytelling across Cultures: The Complexities of Intercultural Communication.
Source:
Sounds Studies
By Anna Navrotskaya Program of French, Hillsdale CollegeAnna Navrotskaya is an Associate Professor of French at Hillsdale College. Her research interests include Performance, Theater, and Film Studies. In her articles, she analyses creating historical icons through film (Eisenstein’s Aleksander Nevsky), performative elements in everyday life and creative relationship between silent film and experimental theatre (Films Albatros and Théâtre du Soleil). She has published prose and poetry translations from French and Russian into English.
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Sounds Studies
By David Copenhafer Bard Early Colleges, Brooklyn, NYDavid Copenhafer is a writer and musician, affiliated with the network of Bard Early Colleges. He has written about the figuration of sound and of music in such authors as Kafka, Melville and Ralph Ellison. And he has essays about music and sound in film, to be found at Camera Obscura and at Sound Studies. Don’t Call it the Moon, his first album of songs, can be heard at davidcopenhafer.bandcamp.com. He is currently writing his first book, The Literary Acoustic: Figures of Music and of Sound in Kafka, Joyce, Proust and Ellison.
Source:
Sounds Studies
By Rita Santos Institute of Ethnomusicology – Centre for Studies in Music and Dance (INET-md), Universidade Nova de LisboaRita Santos is a PhD candidate in Ethnomusicology at the Universidade Nova de Lisboa. She is interested in sound art, experimental music, and festival activism. She received an M.A. in Ethnomusicology from the same institution and an undergraduate degree in Sound Studies from the Universidade Lusófona de Humanidades e Tecnologias in Lisbon, Portugal.
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Sounds Studies
By Rami Toubia Stucky NPS Mellon Humanities Postdoctoral FellowRami Toubia Stucky is an NPS Mellon Humanities Postdoctoral Fellow where he works on the intersection between music, geography, and equitable city life in Washington, D.C.
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Sounds Studies
By Francisca Marcela Andrade Lucena Graduate Program of Social Anthropology, Federal University of Rio de Janeiro, National MuseumFrancisca Marcela Andrade Lucena is a PhD candidate in Social Anthropology in the Federal University of Rio de Janeiro Graduate Program at the National Museum and a Laboratório de Antropologia e História (LAH/PPGAS/MN) member at the same institution. Her interests lie in Latin American and Caribbean anthropologies, focusing on Cuba. Her doctoral research examines how the Cuban Abakuá Society constructs its knowledge matrix through visual and sonic elements.
Source:
Sounds Studies
By Shruti Jain Department of English General Literature, and Rhetoric, Binghamton UniversityShruti Jain is a PhD candidate in English at Binghamton University, State University of New York. Her dissertation studies the Eighteenth-century Enlightenment and networks of Race and Caste. Her work has been published or is forthcoming in Eighteenth-Century Fiction, Journal of Eighteenth-Century Studies, Studies in English Literature 1500–1900, Public Humanities, and Sounding Out! In addition to her work on the eighteenth century, she is also the co-host and co-producer of a podcast titled “Immigrants Wake America”, where she works with the storytellers whose stories are housed at the digital archives of Tenement Museum, New York. She is currently editing a section and co-writing a chapter for the Handbook of Humanities Podcasting.